Bach Bibliography Search Result

Author : Dirst, Matthew
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Dirst, Matthew	An Authenticity Grounded in Tradition: Czerny on Bach. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.	[p]ABS_California			Apr 1996
	2.	Dirst, Matthew	An Authenticity Grounded in Tradition: Czerny on Bach. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University.	[p]AMS_Southeast			Sep 1995
	3.	Dirst, Matthew (ed.)	Bach and the Organ. Edited by Matthew Dirst. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. viii, 122p. ISBN: 978-0-252-04019-1. (= Bach Perspectives, 10)	Bachperspectives	10		2016	viii, 122p
	4.	Dirst, Matthew	Bach's French Overtures and the Politics of Overdotting.	EarlyM	25	1	Feb 1997	35-44
	5.	Dirst, Matthew	Bach's French overtures and the politics of overdotting. [BWV 831a]	[ce]BaroqueMusic			2011	391-400
	6.	Dirst, Matthew	Continuo Practice in the Bach Cantatas: Instruments and Style.	KeyboardPerspectives	3		2010	101-112
	7.	Dirst, Matthew	Continuo Practice in the Bach Passions. A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012.	[p]ABS_Rochester			Sep 2012
	8.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach 'Awakening'. Paper read at American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000.	[p]ABS_Washington			Apr 2000
	9.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening.	BachPerspectives	5		2003	15-35
	10.	Dirst, Matthew	Early Posthumous Printed Editions. [Chapter 18] Part V: Dissemination. [main headings: The First Posthumous Editions; Early Nineteenth-Century Editions]	[ce]RoutledgeResearchCompanion			2017	464-474
	11.	Dirst, Matthew	Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. Cambridge: Cambridge University Press, 2012. viii, 186p. ISBN: 978-0521651608. (= Musical Performance and Reception)				2012	viii, 186p
	12.	Dirst, Matthew	Mirror images of the heroic composer: Bach and Handel in the nineteenth century. A paper read at Biennial Meeting of the American Bach Society, April 16-18, 2004 at Rutgers University, NJ 'Images of Bach'. Abstract in BachNotesABS 1 (2004), p. 6-7.	[p]ABS_NewBrunswick			Apr 2004
	13.	Dirst, Matthew	Mozart, Bach, and the Way to Fugue. A paper read at the Southwest Chapter of the American Musicological Society on 22 March 1997 at Southwestern University.	[p]AMS_Southwest			Mar 1997
	14.	Dirst, Matthew	Redefining the 'Natural': Eighteenth-century Bach Criticism and the Ideal of 'Unity in Diversity'. A paper read at the Southwest Chapter of the American Musicological Society on 16 October 2000 at Rice University.	[p]AMS_Southwest			Oct 2000
	15.	Dirst, Matthew	Samuel Wesley and the Well-Tempered Clavier: A Case Study in Bach Reception.	AmerOrganist(2)	29	5	May 1995	64-68
	16.	Dirst, Matthew	Tradition, Authenticity, and a Bach Chorale Prelude. [BWV 641]	AmerOrganist(2)	25	3	Mar 1991	59-61
	17.	Dirst, Matthew Charles	Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p	diss.			1996	vii, 176p
	18.	Dirst, Matthew; Weigend, Andreas S.	Baroque Forecasting: On Completing J. S. Bach's Last Fugue.	SantaFeInstStudSciComplexity	15		1994	151-172